UNCOVERING JAZZY — The Hard-Hitting Heart of the Global Rave Circuit
- Amanda Sandström Beijer
- 2 days ago
- 5 min read
There are artists who play hard, and then there’s JAZZY — a Zurich-bred, self-taught sonic spearhead who moves through the harderstyles ecosystem like a blade: clean, fast, cutting straight through the noise.
Her rise didn’t happen by algorithm or accident. It happened by discipline, structure, and an almost freakish level of self-trust. Every part of her identity — the sound, the silhouette, the choreography of her body behind the decks — is built from what she calls her “strong internal frequency.” No mimicry. No trend-chasing. No costume borrowed from anyone else’s aesthetic.
“Visually, my style is strange but a statement. Uncomfortable in the best way.”
And it is.
JAZZY walks onstage like a glitch that learned how to be glamorous.
Born in Zurich, she spent three years submerged in the underground rave scene before teaching herself to DJ and produce — first releasing on Discobenzin, then mutating into the industrial, hammer-heavy, distorted world she now rules. Her sound swings between hard techno, trap, synthwave and pure harderstyle chaos. It shouldn’t blend, but under her hands it does.
From underground self-releases like “TITS FLAT KICKS FAT” and the six-track EP BLI$$, to this year’s triple collab “HIT THE FLOOR” with BLURREDMOVEMENT and Zentryc Records, her catalogue is a mood board of raw energy. Labels don’t define her — energy does.
As one of Teletech’s key global artists, she’s been everywhere this year: Tomorrowland, Creamfields, Duro Festival, Paris Boiler Room (November), KM25, Emerge, Rheingrun, XXL Warehouse Project, plus a full South American tour coming spring 2026.
Her shows aren’t sets — they’re confrontations. Rituals. Controlled demolition.
JAZZY isn’t just rising. She’s erupting.
A force of nature with a worldview sharpened by instinct and a presence that refuses to be read passively.
She’s not here to fit the world.
She’s here to bend it.
Welcome to UNCOVERING JAZZY — the Playful edition.
“In love we’re all equal.” – JAZZY
Q1. Tell us more about you, and how you wish the audience to understand you and what you do?
My motto is “in love we’re all equal”. What I want to spread is actually the opposite of needing to be understood. It’s not important to be understood if you act with kindness, come from love, and live with happiness. I don’t want people to explain me. I want them to feel me. That’s what matters.
I don’t want people to explain me. I want them to feel me.
Q2. You have been a key artist on a ton of Teletech’s line-ups around the world. How did you become affiliated with the global phenomenon, and how do you see their growth in years to come in the rave scene?
What Teletech has achieved is unmatched in the whole techno scene. Being able to tour every continent and sell out every event is something almost impossible to pull off. They were the first to really make that happen. I’m proud to represent them and to be part of that world. They opened so many doors for me, and it’s been one of my biggest highlights so far.
Q3. You have nearly self-released all of your music to date. Why is this? Do you prefer this to working with labels? Or do you feel your sound doesn't fit anywhere?
I prefer to keep everything close to me. Label releases are cool, but my SoundCloud hit 20k followers because I dropped everything there myself. I want people to connect with me directly, not through another platform. I probably reach more people that way. Still, if I saw a label that really fits my sound and vision, I’d be open for it.
My SoundCloud hit 20k followers because I dropped everything there myself
Q4. You just launched your own label KRAWALL Records with JOWI via a new collab single ‘FILTH’ alongside ZATOX. This marks a big chapter for you. What inspired you both to start the label, and what kind of sound or vision do you want KRAWALL to represent?
KRAWALL is genre-neutral. The main rule is that it has to be hard and from the heart. The vision is to give hard music space to exist without rules. It can be fast, emotional, distorted, or clean. Gabber, hardcore, whatever. No genre policing. That’s the spirit of KRAWALL Records.
No genre policing. That’s the spirit of KRAWALL Records
Q5. Starting a label often means taking full creative control. How does launching KRAWALL differ from working with established labels, and what freedoms are you most excited about?
Freedom in every direction. No limits, no boundaries, no one telling us what fits. We can explore anything from industrial to hardcore to trance-influenced sounds. It’s about creating something honest and free, where everything that feels real has a place.
Q6. You described the new triple collab track ‘FILTH’ as ‘FILTH is us not behaving’ – tell us more about this?
Filth is exactly that. It’s pure chaos and freedom. It has reverse bass, it goes up to 190 BPM, but it also has emotion in the arpeggios and breaks. It’s wild, dirty, fast, and still beautiful in its own way. It’s all our energies mixed together — no rules, no filters. Just us.
‘FILTH’ is pure chaos and freedom — no rules, no filters. Just us.
Q7. ZATOX is known for his harder-edged sound. How did your styles blend in the studio, and did that push you creatively in new directions?
For sure. Working with ZATOX and JOWI was inspiring because we all bring different types of power. We mixed our styles, and it clicked naturally. It pushed me to explore new textures and sounds while keeping that heavy signature energy that connects all of us.
Q8. You’ve gone from 39/40 in Dublin to Tomorrowland’s main stage and Pacha Ibiza. Looking back, what moment has been the most surreal so far in your journey?
Boiler Room and Creamfields for sure. Those were moments where I realized how far everything had come. The energy was insane, the crowd was unreal. Standing there felt surreal, like a dream. Those were the “I made it” moments for me.
Q9. Finally, what did ADE have in store for you this year?
Absolute madness. Heavy sets, big crowds, and a lot of connecting with people I love. I did the interviews before my show and the vibe was already electric. I also met the Hör Berlin crew and the Sennheiser team which was great for building future projects. ADE is always where everything and everyone collides in the best way.