Bad Boombox: The DJ Bringing the Fun Back to Techno

Techno has spent years wrapped in a thick layer of seriousness—stoic DJs, rigid dress codes, and a self-imposed rulebook of what’s "cool" and what isn’t. But Bulgarian-American DJ and producer Bad Boombox (Djeki Morris) isn’t here for the gatekeeping. He’s flipping the script, injecting humor, fun, and inclusivity back into the genre, proving that you don’t have to be stone-faced to command a dancefloor.

With a sound that fuses nostalgic rave energy, unapologetic Eurotrash aesthetics, and tongue-in-cheek internet humor, Bad Boombox is part of a new wave of DJs refusing to take techno too seriously—without losing the love for the music.

But his journey here? It wasn’t just viral videos and good vibes. It was late nights, side hustles, and a few terrible jobs along the way.

“I’m Gonna Be a DJ” – The Moment It Clicked

Every DJ has that moment when they realize this is it—that music is more than just a passion; it’s an obsession that won’t let go. For Bad Boombox, it wasn’t about clout or money; it was about pure, uncontrollable energy.

“I didn’t just wake up one day and say ‘I want to be a DJ.’ It was more like—I physically couldn’t not do it anymore.”

He dove headfirst into the scene, playing wherever he could, often for little to no money. But while the road to getting there had its challenges, he never lost his sense of humor—something that would later define his brand.

“Some DJs act like they’re saving the world with their USB sticks. Like dude, we’re playing music in a dark room full of sweaty people. Let’s have fun.”

Techno’s Gatekeeping Problem – And Why He’s Over It

For years, techno has been held hostage by elitism—a world where the “serious heads” dictate what’s real and what’s not. Bad Boombox? He’s not interested in that.

“The scene can be so stiff sometimes, man. Why does everyone think you have to be miserable to be respected in techno?”

With his infectious stage presence, wild dance moves, and meme-worthy online presence, he’s proving that techno can be inclusive, fun, and still bang. His ethos is simple:

No gatekeeping. Whether you discovered techno yesterday or have been raving since ‘92, you belong.
No snobbery. Just because a track is fun doesn’t mean it’s not good.
No egos. The DJ is not the main character—the crowd is.

“I want people to come to my shows and feel like they can actually let go. Not stand in the corner wondering if they’re dressed ‘correctly.’”

From Side Jobs to Sold-Out Shows

Before the viral moments and packed dancefloors, Bad Boombox did what most aspiring DJs do: grind. He took side jobs, worked hours that barely allowed for sleep, and dealt with the classic struggle of making rent while chasing a dream.

“I’ve been the worst employee ever at like, 10 different jobs. All I could think about was making music.”

But the work paid off. Today, he’s selling out clubs, dropping fire edits, and bringing a fresh energy to the scene—one where music meets humor, and the underground doesn’t feel like an exclusive club.

The Future: More Fun, Less Rules

So what’s next? According to Bad Boombox, the future of techno isn’t just about who plays the hardest tracks or who has the deepest knowledge of obscure vinyl pressings. It’s about connection.

“Techno started as a place where misfits and outsiders could come together. Somewhere along the way, it got a little too serious. It’s time to bring that joy back.”

He’s not here to “fix” techno—but he’s definitely here to make it less boring.

“The best parties are the ones where people forget about how they look, forget about who’s watching, and just lose their shit. That’s what I’m here for.”